The project work I have engaged in draws on an affection for all of the ways in which people express who they are. I have an increasing interest in the crafts – there is something of the ‘handmade’ in all of the work that I produce – and in finding ways to encourage new makers and audiences to the arts. I have yet to find a way of describing this work. The American term Animating Democracy doesn’t quiet translate and Darren O’Donnell’s Social Acupuncture feels too particular. So these are projects that I care about which have the ambition of encouraging new makers and new audiences:
greenhouse is an attempt – like much of my work – to explore how best to marry the ambitions of artists and audiences. For too long experimental has been posed as the opposite of popular driven, dare i say it, too often by the predilections of the funding system. My own view is that if we better understand the motivation of the other we might get to a healthier, vibrant, relevant sector. no small task
this is one of favorite alliances of recent years. Working with the British Army to support them in their ambition to reintegrate ex servicemen and their families into Rushmore – particularly the Nepalese community based in Aldershot which has grown significantly in recent years. We have based a team of craft makers within the community to explore connections and ambitions of all
house is an attempt to help artists make a living from the things they make. Essentially it is a programming initiative that now works with well over 100 venues across the east and south east of England to ensure a greater range of theatre gets to more people
is a biennial 3 day showcase of new English performance at the Brighton Festival supported by British Council, ACE, Brighton and Hove CC, UKTI, Visiting Arts and others. The event features up to 25 companies and over 50 international festival programmers and producers.
Was a two year artist residency programme that worked with all the borough and district local authorities across Surrey on arts projects that celebrate who we are.
Tene Bech’s Tracing Light
Commissioned as a part of Farnham Crafts this project engaged hundreds of young people in a series of light graffiti workshops and produced one of the most delightful and popular pieces of public art.
perhaps my favorite project to have come out of Farnham Maltings. We kind of stumbled into the idea of hosting a weekend for knitters and were bowled over by the enthusiasm, commitment and generosity of knitters. Now in its fourth year we attract a national and, latterly, international audience, commission new work and have a thoroughly good time.
Seven short plays about happiness
This was a collaboration with New writing South. The idea was to commission a series of short plays that might be shown as a group or prior to main house shows. A kind of B Movie concept. In the hope it would allow writers an opportunity to develop their craft. I always felt we could have done more with the idea. Pleasingly, all of the writers valued the process.